Here in 2024, the concept of "music genre" is about as relevant as a dial-up modem. Musicians and listeners are embracing the genre-fluid lifestyle, and we’re all the better for it. Gone are the days of stuffing artists into neat little boxes. I don't know about you, but I'm not shedding any tears over the demise of these arbitrary constraints, and I'm definitely looking forward to the day when we’ve mentally surpassed the need to create more microgenres than there are flavors of ice cream.
However, that doesn't mean there aren't any downsides to this new way of thinking. While it's fantastic that artists can now freely blend reggae with metal and jazz with EDM, it can make traditional marketing and PR a bit of a headache.
How do you pitch your music to an audience when it doesn't fit neatly into a single genre box?
That's where this guide comes in.
We're going to break down what genreless music is all about and, more importantly, how you can market yourself in this brave new world. From reaching listeners who are as eclectic as your playlist to building a brand that stands out in the genreless crowd, we've got you covered.
The Genre-less Revolution from a Listener's Perspective
The days of rigid music tribalism are fading fast.
Remember when metalheads wouldn't be caught dead at a pop concert, or country fans swore off anything with a heavy beat? Well, those walls are coming down. It's becoming more and more common to see fans of different traditional genres recognizing their shared love for good music, regardless of the label.
There are no doubt playlists out there that seamlessly transition from Taylor Swift to Metallica. It’s happening, and we’re here for it.
A big part of this shift comes from the rise of psychological playlists on streaming platforms. Many of these playlists aren’t based on genre but rather based on how the music makes you feel . So, whether you're in the mood for something to help you focus, unwind, or get hyped, there's a playlist for that. This focus on mood and activity rather than genre has transformed the way we discover new music.
Gone are the days when discovering music meant tuning into the radio, reading music magazines, or browsing through CD racks at the local store. Now, it’s all about the vibe – as silly as that might sound.
Listeners curate their own soundtracks for life’s moments, creating ultra-specific playlists like “Rainy Day Reading,” “Late Night Drives,” or “Feel-Good Morning Jams.” These playlists can feature a wild mix of genres, blending indie, hip-hop, classical, and EDM without a second thought.
Streaming services have revolutionized music discovery. Over 616 million people use these platforms, and many find new artists through playlists tailored to their moods. Whether it’s a “Workout Pump-Up” playlist or “Chill Vibes Only,” these curated lists introduce listeners to a broad spectrum of music they might never have found otherwise.
This genreless approach to music is all about connecting with the emotions and experiences that songs evoke, proving that good music transcends traditional boundaries. So next time you’re scrolling through your streaming app, don’t be surprised if you find yourself vibing to a genre mash-up that defies all expectations.
Is There Still an Inevitable Need for Labels in Music?
Niches have always played a crucial role in the music world. They allow artists to carve out a unique space and help listeners find the specific sounds they love. Over time, these niches have evolved into subgenres, offering even more precise labels for the diverse music landscape.
We now have ultra-specific subgenres like "Chillwave," "Dark Synthpop," and "Lo-fi Hip Hop for Studying." Some of these new subgenres are downright hilarious, like "Viking Progressive Metal" or "Bubblegum Trap."
Artists are constantly developing new niches, thanks to the widespread availability of music-making tools. With a laptop and some software, anyone can experiment with sounds and create something entirely new, leading to an ever-expanding array of subgenres.
This phenomenon isn't just confined to music – we do it in other areas of our lives too. Think about how we categorize our hobbies, fashion styles, and even diets. Just as we have "vegan gluten-free paleo," we also have "dream pop shoegaze" in our playlists.
Despite the rise of genreless music, there's a piece of me that believes we'll never be able to escape assigning names to things, simply because we need to make them marketable. It’s tough to brand something if you can't put a name on it. Names give us a way to talk about music, promote it, and find our audience. They serve as a shorthand that helps listeners understand what they're getting into, even in a world where blending and bending genres is the new norm.
How to Market Genre-Less Music
While you can always come up with a clever name for your niche, now might be the perfect time to think outside the box of traditional genres. Instead of squeezing your unique sound into a tiny, predefined label, why not embrace the genreless movement and let your music speak for itself?
New sub-genres pop up every minute, like mushrooms after a rainstorm, but there just aren't enough ears to appreciate every single one. The world might not be ready for your post-apocalyptic folk rap or space cowboy disco, and that's okay. Instead of trying to fit into these hyper-specific categories, focus on the broader appeal of your music.
Let's take a look at some ways you can begin marketing your music outside of the traditional genre boundaries.
Understand Where You Fit on Streaming Platforms
Love it or hate it, Spotify is a marketing powerhouse for the new generation of music lovers.
They've mastered the art of curating playlists based on mood, style, and activity, ensuring listeners always have the perfect soundtrack for their lives. Whether it's "Feel-Good Indie Pop" or "Deep Focus Beats," Spotify's playlists cater to every possible vibe, making it easier than ever for users to discover new music that suits their tastes.
Following in Spotify's footsteps, platforms like Bandcamp and SoundCloud have also embraced the mood and style-based approach. These platforms offer tags and playlists that help listeners dive deep into the vast ocean of music, much like how people love to dive deep into YouTube rabbit holes or binge-watch a series on Netflix.
It's all about finding that perfect fit for the moment.
Digital music consumers love to explore and find music that matches their current mood or activity. There are tags and playlists for everything from "Yoga Meditation" to "Late Night Drive" and "Sunday Morning Chill." The range of artists on these playlists is vast, featuring everything from up-and-coming indie musicians to established pop stars.
Once you understand where your music fits in this new musical ecosystem, you can start submitting your tracks to relevant curators. I'd recommend taking some time to explore these platforms, identify the niches that align with your music, and see where you can make your mark.
Create Your Own Unique Aesthetic
In our social media-centric world, the success of many independent artists often rests on their ability to create a compelling vibe or aesthetic appeal. It's not just about the music anymore but creating an entire package to present to the world. Everything from your album art and music videos to your social media posts and live performances offer an opportunity to share your music's style and personality.
Take album art, for instance. It's the first visual impression your audience gets, and it should reflect the essence of your sound. Music videos can be an extension of this, showcasing your creativity and the mood of your tracks. Even your Instagram feed can be a curated gallery of your aesthetic, with behind-the-scenes shots, stylized photoshoots, and snippets of your daily life that resonate with your music's vibe.
Genre-less artists like Billie Eilish and Tyler, the Creator have mastered this approach. Billie’s eerie, ethereal visuals perfectly match her haunting, genre-blending music, while Tyler’s bold, colorful aesthetic reflects his eclectic and unpredictable sound.
If visual artistry isn't your forte, it's a great opportunity to collaborate with visual artists who can bring your vision to life. Indie artist Mitski is a great example of someone who often collaborates with visual artists to create stunning music videos and album covers that enhance her music's emotional depth.
A Look at Genre-Less Artists Who've Made a Name for Themselves
One of the best ways to market yourself as a genre-less artist is to take cues from those who have found success in doing so. Let's explore some of the top genre-defying artists of this generation that continue to find success in every avenue they step into.
FKA Twigs
When I think of genre-less, one of the first people that comes to mind is FKA Twigs. She's well known for her innovative and genre-blending music, which is often stamped by her ethereal vocals and experimental production.
She’s not afraid to mix elements of R&B, electronic, and avant-garde pop. If you listen to LP1 , for example, you hear a mixture of R&B with experimental electronic sounds. She took this idea even further with her album Magdalene , which is a unique mixture of baroque and modern electronic.
One of the things that really ties her music together and brands her is that she often collaborates with renowned visual artists to create fantastically abstract album art and stage performances. Of course, she also has a background in dance, which heavily inspires her live shows.
Childish Gambino
Donald Glover, known by his stage name Childish Gambino, is another multi-talented artist who refuses to be confined by genre. His music spans hip-hop, funk, R&B, and even psychedelic rock, making him a true genre-less artist. He made strides in 2016 with the release of Awaken, My Love!" which was heavily inspired by the old-school funk and psychedelic rock of George Clinton.
"Redbone" was a huge standout in that album as a smooth, sensual R&B track with a retro vibe. You would have never guessed that someone who had mostly put out standard pop and hip-hop albums would've went this direction.
From there, he would go on to release "This Is America" in 2018, which garnered major attention as a powerful hip-hop track with socio-political commentary. As conscious hip-hop was taking off again with the likes of Kendrick Lamar and Nas, Childish Gambino was right there alongside them.
Now, it seems like he's moving into his rock band era with the release of "Lithonia," and a lot of fans are here for it.
I believe the one thing that has tied all of his music together is his fun, free, and captivating persona. The man has an eye for aesthetic and is able to capture the vibe of many different genres and points in time, mixing them together in a clever way that seemingly only someone with a diverse comedic background like him could do.
Toro y Moi
Since his release of Causes of This in 2010, Toro y Moi has consistently surprised me with what he's able to pull off. He started off as a pioneer in the chillwave movement but continually evolved, embracing the genreless approach with a mix of indie rock, electronic, funk, 60s psychedelic, house, and more.
I can't think of another successful artist off the top that has the ability to fluidly move between genres like him, and even with what some people would call inconsistency, he has earned a dedicated following.
Anything in Return, which mixes funky, electronic beats with an indie pop sensibility, defies his later album, Outer Peace, which goes the complete opposite direction, combining house, funk, and synth-pop.
Final Thoughts - The Death of Musical Genres
Very few contemporary stars pride themselves on taking the pure or traditional approach to musical genre. From Lil Nas X's rise on Billboard's hot country chart to Harry Styles' move from boy band pop to 60s/70s rock and R&B, the music industry feels like it's shifting in the direction streaming platforms planned for it, whether consciously or not.
The way in which we consume art has changed just as much as the ways that popular artists market music. Now, of course, I don't ever think we should forget the idea of musical genres altogether, as categorization is human nature. It's the way we go about programming radio stations or organizing record shops. However, I also don't think we need to rely on that heavy categorization like we did in the past.