14 Challenges to Up Your Music Production Game

14 Challenges to Up Your Music Production Game 14 Challenges to Up Your Music Production Game

Rock, pop, hip hop, or lowercase experimental ambient soundscapes. No matter what genre of music you produce, the road to refining your sound is paved with challenges.

But the best music producers know these are opportunities, not obstacles.

Each challenge is a chance to stretch your creativity and deepen your production skills, helping your music stand out in an over-crowded music industry. And just like a muscle, the more you flex your creativity and production chops, the stronger they'll become.

That's why we've put together a list of 14 music production challenges. Designed to supercharge your production process, these challenges will help you learn new techniques, break out of your comfort zone, and develop a sense of curiosity and risk-taking that'll peel you away from your old routines.

Pick one, or do them all - the choice is yours!

1. Produce a Track in an Unfamiliar Genre

Like many music producers, you're probably used to genre-hopping, but there's bound to be at least one genre you haven't touched yet.

For example, if your music production is primarily EDM - using samples and synths to generate your sounds - have a go at producing a rock track from scratch. Or take things further and have a stab at producing in a niche genre like Vaporwave , or Phonk .

Flirting with a new style of music helps boost your music theory, arrangement and mixing skills, and is a great way to explore new techniques, injecting freshness into your own music.

2. Reproduce a Famous Song From Scratch

Pick a song that floats your boat, and try to recreate it from scratch, using only the tools you currently own. Spend time listening closely to each section, and match the sounds, effects, and mix as best you can.

You won't be able to match the track perfectly - that's OK! The point of this exercise is to learn how other artists cook up their magic. You'll sharpen your ears, pick up some new production tricks, and gain insights into what makes a track work.

3. Produce a Track in a Day

With the myriad choices music producers face when it comes to sound selection and plugin choices, it's easy to overthink the music production process and spend forever working on a track.

To combat this, set yourself a strict time limit and produce a new song in a day.

Break down song production into chunks - generating an initial idea, sound selection, arrangement, mixing etc. - and set a timer for each one to keep things moving.

This challenge is all about trusting your judgement, making quick choices, and improving your workflow. Commit to finishing the full track over the course of the day. It won't be perfect, but it'll be finished, and you'll learn something about how you work.

Want to take things a step further? Try putting together a beat in under an hour.

4. Limit Yourself to 10 Tracks

Back in the before times (when there were no DAWS with unlimited track count), artists worked with very limited resources in the studio. Music producers like George Martin and Brian Wilson had enough experience to work wonders with the tiny track count at their disposal.

Rather than pile tracks upon tracks, take a leaf out of their book and put a limit on the total number of tracks - audio and/or MIDI - in your project.

This restriction will force you to prioritize what really matters, and leave space in the music for each element to breathe.

5. Explore a New Time Signature

While the majority of commercial pop music lives in the world of 4/4, there's no reason to assume your audience won't be thrilled by something more unusual. Go ahead and jiggle your music production chops by experimenting with time signatures you've not previously used.

This could involve producing an entire track in the new meter, briefly sprinkling it in one section, or going all out and doing a whole song in mixed meter.

You might need to brush up on music theory, but one thing's for sure - this process will encourage you to rethink how you approach rhythm, structure, and phrasing.

6. Mix a Song With No Reference Track (Then With One)

Using a reference track while mixing is common among producers - and it's a valuable tool. But what happens if you trust only your ears?

Start mixing a track with no outside references, and just go with your judgement. Once you've done a first pass, bring in a reference and see how the 'blind' mix compares.

This approach will brush up your critical listening skills, and train you to hear problem areas early on in the production process.

7. Remix an Old Project

If you're like me, you've probably got a bunch of old projects lurking on a hard drive somewhere. Pull out an old song from the archives and try remixing it.

This could be a simple spit-and-polish remix using some new EQ or compression tools, or a complete makeover using a different beat, new samples, or even outside musicians.

A different spin on this challenge could be mastering an old song. Either way, revisiting old projects helps you track your progress as a producer, and unlock ideas you may have missed the first time around.

8. Record Everything Live

If your production work primarily involves MIDI instruments, try recording everything live instead of drawing everything in the piano roll.

When you record live (even if it's onto a MIDI track), it adds a human feel that can really elevate the vibe of a song. Natural timing, dynamics, and expression are all captured in a way that's hard to replicate with a pencil tool.

Not a virtuoso on the keyboard? Don't fret - slight imperfections can make your song feel more organic and emotionally resonant. If there's a huge clanger on a take, try overdubbing rather than editing it, just like producers did before computer-based recording.

An extension of this challenge is to print the MIDI as an audio track as soon as each idea is laid down, encouraging you to commit to the creative choices you've made.

9. Produce a Song Using Only Stock Plugins

If you're like most producers, you'll find it easy to get caught in the constant upgrade cycle of new gear/plugins/whatever. But how about mastering the ones you already have?

Most DAWs come with everything you need to create professional-level tracks - so use this challenge to explore what's already in your toolbox and sharpen your knowledge and skills, all without spending a dime.

Already mastered the suite that shipped with your DAW? Try producing a song using only free plugins instead.

10. Produce Using Only Found Sounds

In this challenge you're not just creating your own samples; the idea is that you use exclusively non-musical sources to create them.

A few ideas for found sounds include doors closing, birds chirping, or typing on a keyboard. Even the weird sound your car exhaust makes could work - you just need to let your imagination run beyond what you can simply hear.

Record a bunch of random sounds, load them onto audio tracks or into a sampler, and get creative.  Creating a beat or melody from a texture that isn't intentionally musical requires a lot of imagination, but this process will push you creatively, and give you inspiration for creating your own sounds.

11. Use Only One Instrument

Choose a single synth or instrument in your studio and see if you can pull off building an entire track using just that one piece of gear.

Use automation, effects and clever layering to shape different sounds, or use the instrument to create new samples to work with.

Whether you choose a soft synth like Omnisphere, or pick up your dusty ukulele from the corner, this challenge will force you to go deep into sound design . You'll boost your knowledge of how each plugin works, and learn how to get the most out of a single tool.

If you're into sample-based music production, create a track using only one sample pack - the more limited the better! Figuring out how to make a lush pad from a bass sample is a skill worth mastering, and will lead to some fruity inspiration in the studio.

12. Work Backwards

Many music producers face a lack of inspiration because their production workflow is the same from one song to the next. They might always lay down the beat before adding the low end bass line, or start with a chord progression - it's the same rigid process every time they record.

So, mix things up a bit. Try starting with the last thing you normally tackle in production and leave the first thing you'd normally handle until the end.

For example, if you're a chords-then-melody person, have a bash at writing the topline before working out how to harmonize it. If you record vocals as the final part of the process, lay them down first and build the arrangement from there.

Reversing your process forces you to rethink your habits and uncover new approaches.

13. Collaborate with a Musician Outside Your Circle

Working with other musicians can open up a world of possibilities for music producers, especially when they come from a different musical background.

Reach out to someone who plays a style of music you're not familiar with, or an instrument you've never recorded. Whether it's a jazz saxophonist or a slick duduk player, you'll gain exposure to new workflows, new instruments, and different approaches to music production.

The more people you collaborate with, the more your sound will evolve. Crucially, you'll also be mastering the art of communication - one of the keys to success in the music industry.

14. Start a Weekly Challenge With Other Artists

One of the most common issues producers face is the creative stagnation that comes from working in isolation. A great way to break out of this rut is to do regular music production challenges with other musicians.

Team up with other producers and artists and pick a different theme, style, or constraint for each weekly challenge - flip a genre to a new style (create a drum n' bass version of a Nickelback song!), produce a track that includes a specific sample, or simply use one of the challenges above.

The whole process should be playful, collaborative, and inspiring, but the key thing is the accountability; the group can share each week and talk about their workflow. You'll sharpen your versatility, get out of your comfort zone, and learn new tricks by seeing how others approach the same brief.

Conclusion

It's all too easy to get stuck in the same patterns and ways of working - using the same tools and sounds, or approaching every song from the same direction.

But growth in music production doesn't come from staying comfortable; it comes from being willing to explore and take risks. Learn from everything you try, whether it sounds awesome, or fails spectacularly.

By opening the doors to curiosity you'll develop new technical skills and find new sources of inspiration. These challenges aren't simply creative exercises - they're growth accelerators to help you on the road to success.

Pick one. Commit. And maketh your best music yet!

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